Inaugural poem

Elizabeth Alexander's poem could hardly have been worse, except by being longer. The response to it explains how poetry has become a personal hobby, like knitting. In Samuel Johnson's day, a poem that bad would be mocked savagely; today, the expected response is to ignore the poem itself in favor of congratulating the poet for the sincerity of her emotion. It is like complimenting the knitter on the color of the yarn. Well, poetry used to aspire to more than keeping you warm. It is not just the lack of any meter or rhyme, though that loss hurts, but the wandering diction and vague thoughts that make it such a bad poem.

Alexander is deaf to all sense of words; how else can this highly unfortunate evocation of the chicken crossing the road be explained?

We cross dirt roads and highways that mark
the will of some one and then others, who said
I need to see what's on the other side.

Yes, others did say that: they were chickens.

John Derbyshire and the Asia Times complained about these lines especially:

Love beyond marital, filial, national,
love that casts a widening pool of light,
love with no need to pre-empt grievance.

I might have an explanation for the wretched confusion in the last line. One of the difficulties for racial activists in the U.S. is that nearly everyone wants to help and to see disadvantaged people get on, which I think is what she means by love here, but most people expect that in return the people who are helped will stop feeling so aggrieved. Since in African-American studies existential grievance exceeds honest affection for black American and African history, Alexander as a professor of African-American Studies would intuitively feel that grievance is not a negative term and that love might threaten it.

It is of course also a mistake to think that someone with a grievance will be happier and less aggrieved after being helped. Charity itself is a grievance.